Jan Dismas Zelenka,  baroque composer:
born Lounovice 1679, died Dresden 1745.


 


















 


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You asked for all recordings of ZWV 152.

A short description of the work follows:

ZWV 152  Litaniae Lauretanae 'Salus infirmorum' [Referred to as either ZWV 152, ZWV152, Z.152 or Z152]. Key: F. Composed: 1741, 1744. Type of work: Vocal. [SAT, soli; SATB, ch.; 2Ob.; 2Vn.; Va.; B.c.] Category: Te Deum Setting, Litany, or Processional.

The CDs that correspond to your search criteria are as follows, with the most recent issues listed first:

ZWV 152  Deutsche Harmonia Mundi / Sony Music.
Cat. No. 88697568762. CD issued: 2009. Choir: Kammerchor Stuttgart. Orchestra: Tafelmusik Baroque Orchestra. Frieder Bernius. Soloists: Nancy Argenta (S), Michael Chance (A), Christoph Pregardien (T), Gordon Jones (B). The same well-known CD release that has been available (with slight changes to the cover) for over 20 years. Recording from 1989.

Check for recordings of other Zelenka works on this CD.

ZWV 152  DHM Deutsche Harmonia Mundi/ BMG France.
Cat. No. 82876 601592. CD issued: 2004. Choir: Kammerchor Stuttgart. Orchestra: Tafelmusik Baroque Orchestra. Frieder Bernius. Soloists: Nancy Argenta (S), Michael Chance (A), Christoph Pregardien (T), Gordon Jones (B). Exactly the same recording (and CD) as Harmonia Mundi RD77922 (published 1990), but in a new outer sleeve of card.

Check for recordings of other Zelenka works on this CD.

ZWV 152  BMG/Harmonia Mundi.
Cat. No. RD77922. CD issued: 1990. Choir: Kammerchor Stuttgart. Orchestra: Tafelmusik Baroque Orchestra. Frieder Bernius. Soloists: Nancy Argenta (S), Michael Chance (A), Christoph Pregardien (T), Gordon Jones (B). U.S. CD no. 7922-2-RC.

Check for recordings of other Zelenka works on this CD.


Masses known to be by Zelenka Parts of Masses (not included in Zelenka's full Masses) Requiems / Invitatory, Lessons, Responsories for the Offices of the Dead / De profundis
Requiems / Invitatory, Lessons, Responsories for the Offices of the Dead / De profundis includes Lamentations (Lamentationes), Responsories (Responsoria), Miserere settings, oratorios and similar works
includes all Magnificat settings settings of Alma Redemptoris Mater, Ave Regina coelorum, Regina coeli, Salve Regina
mainly includes two Te Deum settings and ten Litanies includes Offertoria, some Motets
includes Offertoria, some Motets mixed, including one Melodrama Sonatas, Caprices, Concerto, Ouverture, Hipocondrie
Sonatas, Caprices, Concerto, Ouverture, Hipocondrie

 
 
 
 
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